Rex is an old man who is bitter about never becoming famous and having lived a life without any meaning. After suffering a stroke, he ends up in a nursing home staffed by Latin American immigrants. Put off by the situation, he focuses his energy on getting out, which places him at odds with the Latino workers. However, their relationship takes on new meaning when it is discovered that he once shook hands with Vicente Fernandez, a Mexican singer, producer and actor idolized throughout Latin culture. The employees soon begin to treat Rex like the celebrity he's always dreamed of being.

Steve Rocco, the controversial godfather of street, led a cultural revolution during the early 1990s topping the corporate giants who controlled the skateboard industry and ushering in the most degenerate, savage, innovative & entertaining era in the history of skateboarding. For better or worse his legacy shaped skateboarding as we know it today like no other.

暂无剧情简介

A story about male hubris, repressed feelings, unconscious depression and the hard struggle for success in a capitalist world where fragility has no place.

暂无剧情简介

年迈的老人独自生活在破败的公寓内，四周充满腐败的气息，虫子在抽屉里蠕动，老人将一块肉放进去，喂养这个卑微的小生灵。 　　隔壁的响动惊动了习惯平常生活的老人，他隔着墙上洞窥视，看到对面一位裸体的老妇人，失去伴侣晚景凄凉的老妇人不堪忍受孤独的残生，在老人的注视下上吊自杀。老人来到隔壁房间，带走了老妇人的相片和尸体，他将尸体塞到床下，接着又把虫子放了进去。第二天，虫子和尸体合为一体，老妇人复活回到人间。两个孤独的人儿以奇异的方式相偎走过余下的人生……

Ralph Winston has never cried; not when he was a baby, not when his heart was crushed by his high school sweetheart, not even when he first saw Steven Spielberg's E.T. So when his father dies, Ralph - age 32 - decides to embark upon a true emotional journey with hopes to shed his first tear before the funeral - and before it's not too late.

Lee Roo-Ri tries to get a job at big company, but she gives up. She doesn't have a good relationship with her strict father. Lee Roo-Ri decides to travel to a foreign country to get away. There, she meets Jung Tae-Yang who goes by the YOLO motto. He wanders around the world and places priority on his happiness, but he also carries an emotional wound.

THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.